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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
their own where they might read and play and study�察�and so I gave them
this corner。;
;Well�察 �mother�察─ �asked the little girl�察 �and where are they this
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afternoon�拭─�
;Ah�察─�she answered sadly�察 �they did not care to stay�察�but it was natural
enough�察�and I was foolish to grieve。 Besides�察�they come to see me。;
;And then they play to you�拭─�asked the little girl�察�gently。
;They say the piano is out of tune�察─�the old dame said。 ;I don't know。
Perhaps you can tell。;
The little girl sat down to the piano�察�and struck a few chords。
;Yes�察─�she said�察 �it is badly out of tune。 Give me the tuning´hammer。 I
am sorry�察─�she added�察�smiling at Oswald Everard�察 �but I cannot neglect my
duty。 Don't wait for me。;
;I will wait for you�察─�he said�察�sullenly�察�and he went into the balcony
and smoked his pipe�察�and tried to possess his soul in patience。
When she had faithfully done her work she played a few simple
melodies�察 �such as she knew the old woman would love and understand�察�
and she turned away when she saw that the listener's eyes were moist。
;Play once again�察─ �the old woman whispered。 ;I am dreaming of
beautiful things。;
So the little tuner touched the keys again with all the tenderness of an
angel。
;Tell your daughters�察─�she said�察�as she rose to say good´bye�察 �that the
piano is now in good tune。 Then they will play to you the next time they
come。;
;I shall always remember you�察 �mademoiselle�察─ �the old woman said�察�
and�察�almost unconsciously�察�she took the childish face and kissed it。
Oswald Everard was waiting in the hay´field for his companion�察�and
when she apologised to him for this little professional intermezzo�察�as she
called it�察�he recovered from his sulkiness and readjusted his nerves�察�which
the noise of the tuning had somewhat disturbed。
;It was very good of you to tune the old dame's piano�察─ �he said�察�
looking at her with renewed interest。
;Some one had to do it�察�of course�察─�she answered�察�brightly�察 �and I am
glad the chance fell to me。 What a comfort it is to think that the next time
those daughters come to see her they will play to her and make her very
happy� �Poor old dear� ─�
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;You puzzle me greatly�察─ �he said。 ;I cannot for the life of me think
what made you choose your calling。 You must have many gifts�察�any one
who talks with you must see that at once。 And you play quite nicely�察�too。;
;I am sorry that my profession sticks in your throat�察─ �she answered。
;Do be thankful that I am nothing worse than a tuner。 For I might be
something worsea snob�察�for instance。;
And�察�so speaking�察�she dashed after a butterfly�察�and left him to recover
from her words。 He was conscious of having deserved a reproof�察�and when
at last he overtook her he said as much�察�and asked for her kind indulgence。
;I forgive you�察─ �she said�察 �laughing。 ;You and I are not looking at
things from the same point of view�察�but we have had a splendid morning
together�察�and I have enjoyed every minute of it。 And to´morrow I go on
my way。;
;And to´morrow you go�察─�he repeated。 ;Can it not be the day after to´
morrow�拭─�
;I am a bird of passage�察─�she said�察�shaking her head。 ;You must not
seek to detain me。 I have taken my rest�察�and off I go to other climes。;
They had arrived at the hotel�察�and Oswald Everard saw no more of his
companion until the evening�察�when she came down rather late for /table
d'hote/。 She hurried over her dinner and went into the salon。 She closed the
door�察�and sat down to the piano�察�and lingered there without touching the
keys�察�once or twice she raised her hands�察�and then she let them rest on the
notes�察�and�察�half unconsciously�察�they began to move and make sweet music�察�
and then they drifted into Schumann's ;Abendlied�察─�and then the little girl
played some of his ;Kinderscenen�察─ �and some of his ;Fantasie Stucke�察─�
and some of his songs。
Her touch and feeling were exquisite�察 �and her phrasing betrayed the
true musician。 The strains of music reached the dining´room�察�and�察�one by
one�察�the guests came creeping in�察�moved by the music and anxious to see
the musician。
The little girl did not look up�察 �she was in a Schumann mood that
evening�察 �and only the players of Schumann know what enthralling
possession he takes of their very spirit。 All the passion and pathos and
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wildness and longing had found an inspired interpreter�察 �and those who
listened to her were held by the magic which was her own secret�察 �and
which had won for her such honour as comes only to the few。 She
understood Schumann's music�察�and was at her best with him。
Had she�察�perhaps�察�chosen to play his music this evening because she
wished to be at her best�拭 �Or was she merely being impelled by an
overwhelming force within her�拭�Perhaps it was something of both。
Was she wishing to humiliate these people who had received her so
coldly�拭�This little girl was only human�察�perhaps there was something of
that feeling too。 Who can tell�拭�But she played as she had never played in
London�察�or Paris�察�or Berlin�察�or New York�察�or Philadelphia。
At last she arrived at the ;Carnaval�察─�and those who heard her declared
afterward that they had never listened to a more magnificent rendering。
The tenderness was so restrained�察�the vigour was so refined。 When the last
notes of that spirited ;Marche des Davidsbundler contre les Philistins; had
died away�察 �she glanced at Oswald Everard�察 �who was standing near her
almost dazed。
;And now my favourite piece of all�察─�she said�察�and she at once began
the ;Second Novelette�察─ �the finest of the eight�察 �but seldom played in
public。
What can one say of the wild rush of the leading theme�察 �and the
pathetic longing of the intermezzo�拭�
。 。 。 The murmuring dying notes�察 �That fall as soft as snow
on the sea�察�
and
The passionate strain that�察 �deeply going�察 �Refines the
bosom it trembles through。