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fabre, poet of science-第43章

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trees; 〃leaving behind it; in the form of dry…rot; the refuse of its

digestive processes;〃 is 〃a scrap of intestine which eats its way as it

goes。〃



In 〃that hideous lout〃 the Scorpion he shows us a rough epitome of the

shapeless head; the truncated face of the spider。



The Tachinae; those 〃brazen diptera〃 which swarm on the sunny sand on the

watch for Bembex or Philanthus; in order to establish their offspring at

its expense; 〃are bandits clad in fustian; the head wrapped in a red

handkerchief; awaiting the hour of attack!〃



The Languedocian Sphex; sprawling flat upon the vine leaves; grows dizzy

with the heat and frisks for very pleasure; 〃with its feet it taps rapidly

on its resting…place; and thus produces a drumming like that of a shower of

rain falling thickly on the leaves。〃 Fabre takes a keen delight in the

production of these pictures; at once so exact and lifelike; but we must

not therefore suppose that his mind is incapable of the detailed

descriptions necessitated by the laborious processes of minute anatomy。



Like all sciences; entomology has its uninteresting aspects when we seek to

study it deeply。 Yet with what interest and lucidity has Fabre succeeded in

expounding the complex morphoses of the obscure and miserable larva of the

Sitaris; the curious intestine of the Scarabaeus; the secret of the

spawning of the weevil; and the ingenious mechanisms of the musical

instruments of the Decticus and the Cicada。 With what subtle art he

explains the song of the cricket; how the five hundred prisms of the

serrated bow set the four tympana in vibration; and how the song is

sometimes muffled by a process of muting。 (12/10。)



Some of the images suggested to him by the forms of animals are so

beautiful that certain of his descriptions might well serve to inspire an

artist; or suggest new motives of decoration in the arts of enamelling;

gem…engraving; jewellery; etc。



Instead of eternally copying ancient things; or seeking inspiration in

lifeless texts; why not turn our attention to the numerous and interesting

motives which are scattered all around us; whose originality consists

precisely in the fact that they have never yet been employed? Why torture

the mind to produce more painful elaborations of awkward; frozen; poverty…

stricken combinations; when Nature herself is at hand; offering the

inexhaustible casket of her living marvels; full of the profoundest logic

and as yet unexamined?



If the bee by means of the hexagonal prism has anticipated all the

geometers in the problem of the economy of space and matter; if the Epe?ra

and the mollusc have invented the logarithmic spiral and its transcendent

properties; if all creatures 〃inspired by an aesthetic which nothing

escapes; achieve the beautiful〃 (12/11。); surely human art; which can but

imitate and remember; has only to employ to its profit and transfigure into

ideal images the natural beauties so profusely furnished by the

Unconscious。



Modern art; influenced more especially by the subtle Japanese; is already

treading this path。



What artist could ever engrave on rare metals or model in precious

substances a more beautiful subject than the wonderful picture of the

Tarantula offering; at the length of her extended limbs; her white sac of

eggs to the sun; or the transparent nymph of the Onthophagus taurus; 〃as

though carved from a block of crystal; with its wide snout and its enormous

horns like those of the Aurochs〃? (12/12。) What an undiscovered subject he

might find in the nymph of the Ergatus (12/13。); with its almost

incorporeal grace; as though made of 〃translucent ivory; like a communicant

in her white veils; the arms crossed upon the breast; a living symbol of

mystic resignation before the accomplishment of destiny〃; or in the still

more mysterious nymph of the Scarabaeus sacer; first of all 〃a mummy of

translucent amber; maintained by its linen cerements in a hieratic pose;

but soon upon this background of topaz; the head; the legs; and the thorax

change to a sombre red; while the rest of the body remains white; and the

nymph is slowly transfigured; assuming that majestic costume which combines

the red of the cardinal's mantle with the whiteness of the sacerdotal alb。〃



On the other hand; what Sims or Bateman ever imagined weirder caricature

than the grotesque larva of the Oniticella; with its extravagant dorsal

hump; or the fantastic and alarming silhouette of the Empusa; with its

scaly belly raised crozierwise and mounted on four long stilts; its pointed

face; turned…up moustaches; great prominent eyes; and a 〃stupendous mitre〃:

the most grotesque; the most fantastic freaks that creation can ever have

evolved? (12/14。)





CHAPTER 13。 THE EPIC OF ANIMAL LIFE。



Although in his portraits and descriptions Fabre is simple and exact; and

so full of natural geniality; although he can so handle his words as to

render them 〃adequate〃 to reproduce the moving pictures of the tiny

creatures he observes; his style touches a higher level; flashes with

colour; and grows rich with imagery when he seeks to interpret the feelings

which animate them: their loves; their battles; their cunning schemes; and

the pursuit of their prey; all that vast drama which everywhere accompanies

the travail of creation。



It is here in particular that Fabre shows us what horizons; as yet almost

unexplored; what profound and inexhaustible resources science is able to

offer poetry。



The breaking of egg or chrysalid is in itself a moving event; for to attain

to the light is for all these creatures 〃a prodigious travail。〃



The hour of spring has sounded。 At the call of the field…cricket; the

herald of the spring; the germs that slumber in nymph or chrysalis have

broken through their spell。



What haste and ingenuity are required to emerge from the natal darkness; to

unwrap the swaddling…bands; to break the subterranean shells; to demolish

the waxen bulkheads; to perforate the soil or to escape from prisons of

silk!



The woodland bug; whose egg is a masterpiece; invents I know not what

magical centre…bit; what curious piece of locksmith's work; in order to

unlock its natal casket and achieve its liberty。



For days the grasshopper 〃butts its head against the roughness of the soil;

and wars upon the pebbles; by dint of frantic wriggling it escapes from the

womb of the earth; bursts its old coat; and is transfigured; opening its

eyes to the light; and leaping for the first time。〃



The Bombyx of the pine…tree 〃decks its brow with points of diamond; spreads

its wings; and erects its plumes; and shakes out its fleece to fly only in

the darkness; to wed the same night; and to die on the morrow。〃



What marvellous inventions; what machinery; what incredible contrivances;

〃in order that a tiny fly can emerge from under ground〃!



The Anthrax assumes a panoply of trepans; an assortment of gimlets and

knives; harpoons and grapnels; in order to perf
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