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fabre, poet of science-第52章

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as the family salon; with its few shabby and old…fashioned pieces of

furniture; he plays on an indifferent harmonium little airs of his own

composition; the subjects of which were at first suggested by his own

poetry。 Like Rollinat; Fabre rightly considers that music should complete;

accentuate; and release that which poetry has perforce left incomplete or

indefinite。 This is why he makes the bise laugh and sing and roar; why he

imitates the organ…tones of the wind in the pines; and seeks to reproduce

some of the innumerable rhythms of nature; the frenzy of the lizard; the

wriggling of the stickle…back; the jumping gait of the frog; the shrill hum

of the mosquito; the complaint of the cricket; the moving of the Scarabaei;

and the flight of the Libellulae。



Too busy by day to find time for much reading; it was at night that he

would shut himself up。 Retiring early to his little chamber; with bare

walls and bare tile floor; and a window opening to the garden; he would lie

on his low bed; with curtains of green serge; and would often read far into

the night。



This philosopher; to whose books the philosophers of the future will resort

for new theories and original ideas; refuses to have any commerce with

other philosophers; disdaining their systems and preferring to go straight

to the facts。 Even when he took up Darwin's 〃Origin of Species〃 he did

little more than open the book; so wearisome and uninteresting; he told me;

did he find the reading of it。 On the other hand; he is full of the ancient

philosophers; and as he did not read them very extensively in his youth and

middle age; he has returned to them finally with love and predilection for

〃these good old books。〃 Unlike many thinkers of the day; he is persuaded

that we cannot with impunity dispense with classic studies; and he rightly

considers that science and the humanities are not rivals; but allies。 Above

all he has a particular affection for Virgil; one may say that he is

steeped in his poetry; and he knows La Fontaine by heart。 The style of the

latter is curiously like his own; and Fabre owns himself as his disciple;

certainly La Fontaine's is the most active influence which his work

reveals。 He has a profound acquaintance with Rabelais; who was always his

〃friend〃 and who constantly crops up in his conversation and his chance

remarks。



After these his intellectual foster…parents have been Courrier; Toussenel;

of whom he is passionately fond; and Rousseau; of whom he cares for little

but his 〃Lettres sur la botanique;〃 full of such fresh impressions; in

which we feel not the literary man but the 〃craftsman〃; he also cherishes

Michelet; so full of intuition; although he never handled actual things and

knew nothing of the practice of the sciences; not learned; but overflowing

with love; his magic pen; his powers of evocation; and his deft brushwork

delight Fabre; despite the poverty and insufficiency of his fundamental

facts (15/17。); sometimes Michelet had been his inspiration。 The two do

really resemble one another; Michelet was no less fitted than Fabre to play

the confidant to Nature; and his heart was of the same mettle。



Since I have spoken of his favourites; let me also speak of his dislikes;

Racine; whom he cannot bear; Molière; whom he does not really like; Buffon;

whom he frankly detests for his too fluent prose; his ostentatious style;

and his vain rhetoric。 The only naturalist whom he might really have

delighted in; had he possessed his works and been able to read them at

leisure; is Audubon; the enthusiastic painter of the birds of America。 In

him he felt the presence of a mind and a temper almost identical with his

own。





CHAPTER 16。 TWILIGHT。



How he has laboured in this solitude! For he considers that he is still far

from having completed his task。 He feels more and more that he has scarcely

done more than sketch the history of this singular and almost unknown

world。 〃The more I go forward;〃 he wrote to his brother in 1903; 〃the more

clearly I see that I have struck my pick into an inexhaustible vein; well

worthy of being exploited。〃 (16/1。)



What studies he has undertaken; what observations he has carried out;

〃almost at the same time; the same moment!〃 His laboratory is crowded with

these subjects of experiments。 〃As though I had a long future before me〃

he was then just eighty years old〃I continue indefatigably my researches

into the lives of these little creatures。〃 (16/2。)



Work in solitude seems to him; more and more; the only life possible; and

he cannot even imagine any other。



〃The outer world scarcely tempts me at all; surrounded by my little family;

it is enough for me to go into the woods from time to time; to listen to

the fluting of the blackbirds。 The very idea of the town disgusts me。

Henceforth it would be impossible for me to live in the little cage of a

citizen。 Here I am; run wild; and I shall be so till the end。〃 (16/3。)



For him work has become more than ever an organic function; the true

corollary of life。 〃Away with repose! For him who would spend his life

properly there is nothing like workso long as the machine will operate。〃



Is this not the great law for all creatures so long as life lasts?



Why should the man who has made a fortune; who has neither children nor

relations; and who may die tomorrow; continue to work for himself alone; to

employ his days and his energies in useless labours which will profit

neither himself nor his kind?



Ask of the Halictus; which; no longer capable of becoming a mother; makes

herself guardian of a city; in order still to labour within the measure of

her means。



Ask of the Osmia; the Megachile; the Anthidium; which 〃with no maternal

aim; for the sole joy of labour; strive to expend their forces in the

accomplishment of their vain tasks; until the forces of life fail。〃



Ask of the bee; which inaction leaves passive and melancholy so that she

presently dies of weariness; of the Chalicodoma; so eager a worker that she

will 〃let herself be crushed under the feet of the passer…by rather than

abandon her task。〃



Ask it of all nature; which knows neither halt nor repose; and who;

according to the profound saying of Goethe 〃has pronounced her malediction

upon all that retards or suspends her progress。〃



Let us then labour; men and beasts; 〃so that we may sleep in peace; grubs

and caterpillars in that torpor which prepares them for the transformation

into moths and butterflies; and ourselves in the supreme slumber which

dissolves life in order to renew it。〃



Let us work; in order to nourish within ourselves that divine intuition

thanks to which we leave our original impress upon nature; let us work; in

order to bring our humble contribution to the general harmony of things; by

our painful and meritorious labour; in order that we may associate

ourselves with God; share in His creation; and embellish and adorn the

earth and fill it with wonders。 (16/4。)
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