按键盘上方向键 ← 或 → 可快速上下翻页，按键盘上的 Enter 键可回到本书目录页，按键盘上方向键 ↑ 可回到本页顶部！
————未阅读完？加入书签已便下次继续阅读！
Cherry…ripe
Thomas Nash （1567…1601？）
Spring
John Donne （1573…1631）
This happy dream
Death
Hymn to God the father
The funeral
Richard Barnefield （1574？…？）
The nightingale
Ben Jonson （1574…1637）
Charis' triumph
Jealousy
Epitaph on Elizabeth L。 H。
Hymn to Diana
On my first daughter
Echo's lament for Narcissus
An epitaph on Salathiel Pavy； a child of Queen Elizabeth's
Chapel
John Fletcher （1579…1625）
Invocation to sleep； from Valentinian
To Bacchus
John Webster （…？1625）
Song from the Duchess of Malfi
Song from the Devil's Law…case
In Earth； dirge from Vittoria Corombona
William Drummond of Hawthornden （1585…1649）
Song （Phoebus； arise！）
Sleep； Silence' child
To the nightingale
Madrigal I
Madrigal II
Beaumont and Fletcher （1586…1616）…（1579…1625）
I died true
Francis Beaumont （1586…1616）
On the tombs in Westminster Abbey
Sir Francis Kynaston （1587…1642）
To Cynthia； on concealment of her beauty
Nathaniel Field （1587…1638）
Matin song
George Wither （1588…1667）
Sleep； baby； sleep！
Thomas Carew （1589…1639）
Song （Ask me no more where Jove bestows）
To my inconstant mistress
An hymeneal dialogue
Ingrateful beauty threatened
Thomas Dekker （…1638？）
Lullaby
Sweet content
Thomas Heywood （…1649？）
Good…morrow
Robert Herrick （1591…1674？）
To Dianeme
To meadows
To blossoms
To daffodils
To violets
To primroses
To daisies； not to shut so soon
To the virgins； to make much of time
Dress
In silks
Corinna's going a…maying
Grace for a child
Ben Jonson
George Herbert （1593…1632）
Holy baptism
Virtue
Unkindness
Love
The pulley
The collar
Life
Misery
James Shirley （1596…1666）
Equality
Anonymous （circa 1603）
Lullaby （Weep you no more； sad fountains）
Sir William Davenant （1605…1668）
Morning
Edmund Waller （1605…1687）
The rose
Thomas Randolph （1606…1634？）
His mistress
Charles Best （…？）
A sonnet of the moon
John Milton （1608…1674）
Hymn on Christ's nativity
L'allegro
Il penseroso
Lycidas
On his blindness
On his deceased wife
On Shakespeare
Song on May morning
Invocation to Sabrina； from Comus
Invocation to Echo； from Comus
The attendant spirit； from Comus
James Graham； Marquis of Montrose （1612…1650）
The vigil of death
Richard Crashaw （1615？…1652）
On a prayer…book sent to Mrs。 M。 R。
To the morning
Love's horoscope
On Mr。 G。 Herbert's book
Wishes to his supposed mistress
Quem Vidistis Pastores etc。
Music's duel
The flaming heart
Abraham Cowley （1618…1667）
On the death of Mr。 Crashaw
Hymn to the light
Richard Lovelace （1618…1658）
To Lucasta on going to the wars
To Amarantha
Lucasta
To Althea； from prison
A guiltless lady imprisoned： after penanced
The rose
Andrew Marvell （1620…1678）
A Horatian ode upon Cromwell's return from Ireland
The picture of T。 C。 in a prospect of flowers
The nymph complaining of death of her fawn
The definition of love
The garden
Henry Vaughan （1621…1695）
The dawning
Childhood
Corruption
The night
The eclipse
The retreat
The world of light
Scottish Ballads
Helen of Kirconnell
The wife of Usher's well
The dowie dens of Yarrow
Sweet William and May Margaret
Sir Patrick Spens
Hame； hame； hame
Border Ballad
A lyke…wake dirge
John Dryden （1631…1700）
Ode （Thou youngest virgin…daughter of the skies）
Aphre Behn （1640…1689）
Song； from Abdelazar
Joseph Addison （1672…1719）
Hymn （The spacious firmament on high）
Alexander Pope （1688…1744）
Elegy
William Cowper （1731…1800）
Lines on receiving his mother's picture
Anna Laetitia Barbauld （1743…1825）
Life
William Blake （1757…1828）
The land of dreams
The piper
Holy Thursday
The tiger
To the muses
Love's secret
Robert Burns （1759…1796）
To a mouse
The farewell
William Wordsworth （1770…1850）
Why art thou silent？
Thoughts of a Briton on the subjugation of Switzerland
It is a beauteous evening； calm and free
On the extinction of the Venetian Republic
O friend！ I know not
Surprised by joy
To Toussaint L'ouverture
With ships the sea was sprinkled
The world
Upon Westminster bridge； Sept。 3； 1802
When I have borne in memory
Three years she grew
The daffodils
The solitary reaper
Elegiac stanzas
To H。 C。
'Tis said that some have died for love
The pet lamb
Stepping westward
The childless father
Ode on intimations of immortality
Sir Walter Scott （1771…1832）
Proud Maisie
A weary lot is thine
The Maid of Neidpath
Samuel Taylor Coleridge （1772…1834）
Kubla Khan
Youth and age
The rime of the ancient mariner
Walter Savage Landor （1775…1864）
Rose Aylmer
Epitaph
Child of a day
Thomas Campbell （1767…1844）
Hohenlinden
Earl March
Charles Lamb （1775…1835）
Hester
Allan Cunningham （1784…1842）
A wet sheet and a flowing sea
George Noel Gordon； Lord Byron （1788…1823）
The Isles of Greece
Percy Bysshe Shelley （1792…1822）
Hellas
Wild with weeping
To the night
To a skylark
To the moon
The question
The waning moon
Ode to the west wind
Rarely； rarely comest thou
The invitation； to Jane
The recollection
Ode to heaven
Life of life
Autumn
Stanzas written in dejection near Naples
Dirge for the year
A widow bird
The two spirits
John Keats （1795…1821）
La Belle Dame sans merci
On first looking into Chapman's Homer
To sleep
The gentle south
Last sonnet
Ode to a nightingale
Ode on a Grecian urn
Ode to Autumn
Ode to Psyche
Ode to Melancholy
Hartley Coleridge （1796…1849）
She is not fair
ALICE MEYNELL'S COMMENTS/NOTES
EPITHALAMION
Written by Spensor on his marriage in Ireland； Elizabeth Boyle of
Kilcoran； who survived him； married one Roger Seckerstone； and was
again a widow。 Dr。 Grosart seems to have finally decided the
identity of the heroine of this great poem。 It is worth while to
explain； once for all； that I do not use the accented e for the
longer pronunciation of the past participle。 The accent is not an
English sign； and； to my mind； disfigures the verse； neither do I
think it necessary to cut off the e with an apostrophe when the
participle is shortened。 The reader knows at a glance how the word
is to be numbered； besides； he may have his preferences where
choice is allowed。 In reading such a line as Tennyson's
〃Dear as remembered kisses after death；〃
one man likes the familiar sound of the word 〃remembered〃 as we all
speak it now； another takes pleasure in the four light syllables
filling the line so full。 Tennyson uses the apostrophe as a rule；
but neither he nor any other author is quite consistent。
ROSALYND'S MADRIGAL
It may plea