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which   Sophie   was   furnished   when   she   left   the   `house   of   industry'   ��the 

workhouse��。         It  is   dated   1805。     In    those    days   children     were    not 

maintained   in   poor   institutions   to   the   mature   ages   of   fifteen   or   twenty。 

They were supposed to be armed against life's troubles at twelve or even 

younger。      Sophie�察�then�察�could hardly have been born before 1792�察�but is 

quite likely to have been born later。 

     The name of Sophie's father is given as ``Daw。''                Like many another 

celebrity�察�as�察�for example�察�Walter Raleigh and Shakespeare�察�Sophie spelled 

her name   variously�察�though   ultimately  she fixed   on   ``Dawes。''            Richard�察�

or Dickey�察�Daw was a fisherman for appearance sake and a smuggler for 

preference。      The question of Sophie's legitimacy anses from the fact that 

her    mother�察   �Jane   Callaway�察    �was    registered    at  death    as  ``a  spinster。'' 

Sophie was one of ten children。             Dickey Daw drank his family into the 

poorhouse�察  �an   institution   which   sent   Sophie   to   fend   for   herself   in   1805�察�

procuring her a place as servant at a farm on the island。 

     Service on a farm does not appear to have appealed to Sophie。                      She 

escaped   to   Portsmouth�察  �where   she   found   a   job   as   hotel   chambermaid。 

Tiring of that�察�she went to London and became a milliner's assistant。                      A 

little affair we hear�察�in which a mere water´carrier was an equal participant�察�

lost Sophie her place。         We next have word of her imitating Nell Gwynn�察�

both   in   selling   oranges   to   playgoers   and   in   becoming      an   actressnot�察�

however�察  �at   Old   Drury�察  �but   at   the   other   patent   theatre�察  �Covent   Garden。 

Save   that   as   a   comedian   she   never   took   London   by   storm�察  �and   that   she 

lacked Nell's unfailing good humour�察�Sophie in her career matches Nell in 

more than superficial particulars。          Between selling oranges and appearing 

on the stage Sophie seems to have touched bottom for a time in poverty。 

But her charms as an actress captivated an officer by and by�察�and she was 

established as his mistress in a house at Turnham Green。                    Tiring of her 



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after    a  timeSophie�察    �it  is  probable�察   �became     exigeant    with   increased 

comforther protector left her with an annuity of L50。 

     The  annuity  does   not   appear   to   have   done   Sophie   much   good。       We 

next hear of her as servant´maid in a Piccadilly brothel�察�a lupanar much 

patronized   by   wealthy   emigres   from   France�察  �among   whom   was   Louis´ 

Henri´Joseph�察�Duc de Bourbon and later Prince de Conde�察�a man at that 

time of about fifty´four。 

     The   Duc's   attention   was   directed   to   the   good   looks   of   Sophie   by   a 

manservant of his。        Mme Montagu says of Sophie at this time that ``her 

face had already lost the first bloom of youth and innocence。''                 Now�察�one 

wonders if that really was so�察�or if Mme Montagu is making a shot at a 

hazard。     She describes Sophie a little earlier than this as having 

     developed into a fine young woman�察�not exactly pretty or handsome�察�

but she held her head gracefully�察�and her regular features were illumined 

by  a   pair   of   remarkably  bright   and    intelligent   eyes。   She   was   tall   and 

squarely built�察�with legs and arms which might have served as models for 

a   statue   of   Hercules。   Her   muscular   force   was   extraordinary。      Her   lips 

were rather thin�察�and she had an ugly habit of contracting them when she 

was angry。      Her intelligence was above the average�察�and she had a good 

share of wit。 

       At   the   time   when    the   Duc    de  Bourbon      came    upon    her   in  the 

Piccadilly stew the girl was probably no more than eighteen。                  If one may 

judge her character from the events of her subsequent career there was an 

outstanding resiliency and a resoluteness as main ingredients of her make´ 

up�察�qualities which would go a long way to obviating any marks that might 

otherwise have been left on her by the ups and downs of a mere five years 

in the world。      If�察�moreover�察�Mme Montagu's description of her is a true 

one it is clear that Sophie's good looks were not of the sort to make an all´ 

round appeal。       The ways in which attractiveness goes�察�both in men and in 

women�察�are infinite in their variety。         The reader may recall�察�in this respect�察�

what   was   said   in   the   introductory   chapter   about   Kate   Webster   and   the 

instance   of   the   bewhiskered   'Fina   of   the   Spanish   tavern。    And   since   a 

look of innocence and the bloom of youth may�察�and very often do�察�appear 

on the faces of individuals who are far from being innocent or even young�察�



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it may well be that Sophie in 1810�察�servant´maid in a brothel though she 

was�察�still kept a look of country freshness and health�察�unjaded enough to 

whet the dulled appetence of a bagnio´haunting old rip。                The odds are�察�at 

all   events�察  �that   Sophie   was   much   less   artificial   in   her   charms   than   the 

practised ladies of complacency upon whom she attended。                    With her odd 

good looks she very likely had just that subacid leaven for which�察�in the 

alchemy of attraction�察�the Duc was in search。 

     The   Duc�察  �however�察  �was   not   the   only   one   to   whom   Sophie   looked 

desirable。     Two English peers had an eye on herthe Earl of Winchilsea 

and the Duke of Kent。         This is where the card affair comes in。           The Duc 

either   played   whist   with   the   two   noblemen   for   sole   rights   in   Sophie   or�察�

what is more likely�察�cut cards with them during a game。                  The Duc won。 

Whether      his  win   may    be   regarded    as  lucky   or  not   can   be  reckoned�察�

according to the taste and fancy of the reader�察�from the sequelae of some 

twenty years。 



     �ァ�II 

     With the placing of Sophie dans ses meubles by the Duc de Bourbon 

there began one of the most remarkable turns in her career。                  In 1811 he 

took a house for her in Gloucester Street�察�Queen's Square�察�with her mother 

as duenna�察�and arranged for the completion of her education。 

     As a light on her character hardly too much can be made of this stage 

in her development。        It is more than likely that the teaching was begun at 

Sophie's own demand�察�and by the use she made of the opportunities given 

her   you   may   measure   the   strength   of   her   ambition。    Here   was   no   rich 
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