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敬響嶄猟利 卦指云慕朕村 厘議慕尺 厘議慕禰 TXT畠云和墮 序秘慕杏 紗秘慕禰

the art of lawn tennis(利白議簒宝)-及12嫗

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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




was he would not adhere to the baseline。 

     The physical appearance of a man is usually a pretty clear index to his 

type   of   mind。   The   stolid�察  �easy´going   man�察  �who   usually   advocates   the 

baseline game�察�does so because he hates to stir up his torpid mind to think 

out a safe method of reaching the net。 There is the other type of baseline 

player�察�who prefers to remain on the back of the court while directing an 

attack intended to break up your game。 He is a very dangerous player�察�and 



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                                THE ART OF LAWN TENNIS 



a deep�察�keen´ thinking antagonist。 He achieves his results by mixing up his 

length and direction�察�and worrying you with the variety of his game。 He is 

a good psychologist。 Such players include J。 C。 Parke�察�Wallace F。 Johnson�察�

and Charles S。 Garland。 The first type of player mentioned merely hits the 

ball   with   little   idea   of   what   he   is   doing�察  �while   the   latter   always   has   a 

definite plan and adheres to it。 The hard´hitting�察�erratic�察�net´rushing player 

is   a  creature    of  impulse。     There    is  no  real   system    to  his   attack�察  �no 

understanding of your game。 He will make brilliant coups on the spur of 

the moment�察�largely by instinct�察�but there is no�察�mental power of consistent 

thinking。     It  is  an  interesting�察   �fascinating     type。   Such    men    as  Harold 

Throckmorton�察�B。 I。 C。 Norton�察�and at times R。 N。 Williams�察�are examples�察�

although Williams is really a better psychologist than this sounds。 

     The dangerous man is the player who mixes his style from back to fore 

court at the direction of an ever´alert mind。 This is the man to study and 

learn from。 He is   a player with   a definite purpose。 A player who has   an 

answer   to   every  query  you   propound   him  in   your   game。  He   is   the   most 

subtle antagonist in the world。 He is of the school of Brookes。 Second only 

to him is the man of dogged determination that sets his mind on one plan 

and adheres to it�察�bitterly�察�fiercely fighting to the end�察�with never a thought 

of   change。   He   is   the   man   whose   psychology   is   easy   to   understand�察  �but 

whose mental viewpoint is hard to upset�察�for he never allows himself to 

think of anything except the business at hand。 This man is your Johnston 

or   your   Wilding。   I   respect   the   mental   capacity   of   Brookes   more�察  �but   I 

admire the tenacity of purpose of Johnston。 

     Pick out your type from your own mental processes�察�and then work out 

your game along the lines best suited to you。 Few of us have the mental 

brilliance   of   Brookes�察  �but   all   can   acquire   the   dogged   determination   of 

Johnston�察�even if we have not his tennis ability。 

     When two men are�察�in the same class�察�as regards stroke equipment�察�the 

determining factor in any given match is the mental viewpoint。 Luck�察�so´ 

called�察�is often grasping the psychological value of a break in the game�察�

and turning it to your own account。 

     We hear a great deal about the ;shots we have made。; Few realize the 

importance of the ;shots we have missed。; The science of missing shots is 



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                                 THE ART OF LAWN TENNIS 



as important as that of making them�察�and at times a miss by an inch is of 

more value than a�察�return that is killed by your opponent。 

     Let me explain。 A player drives you far out of court with an angle´shot。 

You run hard to it�察�and reaching�察�drive it hard and fast down the side´ line�察�

missing   it   by   an   inch。 Your   opponent   is   surprised   and   shaken�察  �realizing 

that your shot might as well have gone in as out。 He will expect you to try 

it again�察�and will not take the risk next time。 He will try to play the ball�察�

and   may   fall   into   error。   You   have   thus   taken   some   of   your   opponent's 

confidence�察�and increased his chance of error�察�all by a miss。 

     If you had merely popped back that return�察�and it had been killed�察�your 

opponent   would   have   felt   increasingly  confident   of   your   inability  to   get 

the   ball   out   of   his   reach�察  �while   you   would   merely   have   been   winded 

without result。 

     Let    us   suppose     you    made    the   shot   down     the   sideline。    It  was   a 

seemingly impossible get。 First it amounts to TWO points in that it took 

one away from your opponent that should have been his and gave you one 

you ought never to have had。 It also worries your opponent�察�as he feels he 

has thrown away a big chance。 

     The     psychology      of   a  tennis   match     is  very   interesting�察    �but   easily 

understandable。        Both    men     start  with    equal    chances。     Once     one   man 

establishes a real lead�察�his confidence goes up�察�while his opponent worries�察�

and his mental viewpoint becomes poor。 The sole object of the first man is 

to   hold   his   lead�察  �thus   holding   his   confidence。   If   the   second   player   pulls 

even   or   draws   ahead�察  �the   inevitable   reaction   occurs   with   even   a   greater 

contrast in psychology。 There is the natural confidence of the leader now 

with    the   second    man    as   well   as   that  great   stimulus    of  having     turned 

seeming defeat into probable victory。 The reverse in the case of the first 

player is apt to hopelessly destroy his game�察�and collapse follows。 

     It   is   this   twist   in   tennis psychology  that   makes   it possible   to   win   so 

many matches after they are seemingly lost。 This is also the reason that a 

man who has lost a substantial lead seldom turns in the ultimate victory。 

He cannot rise above the depression caused by his temporary slump。 The 

value of an early lead cannot be overestimated。 It is the ability to control 

your   mental   processes�察  �and   not   worry   unduly   over   early   reverses�察  �that 



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                                THE ART OF LAWN TENNIS 



makes a great match player。 

     Playing to   the   score  is the   first   requisite   of   a  thinking   match   player。 

The two crucial points in any game are the third and fourth。 If the first two 

points are divided for 15´all�察�the third means an advantage gained。 If won 

by you�察�you should strive to consolidate it by taking the next for 40´15 and 

two chances for game�察�while if lost�察�you must draw even at 30´all to have 

an even chance for game。 

     In order to do this�察�be sure to always put the ball in play safely�察�and do 

not take unnecessary chances�察�at 15´all or 30´15。 Always make the server 

work     to  hold    his  delivery。   It  worries    him    to  serve   long   games�察    �and 

increases the nervous strain of the match。 

     In the game score the sixth�察�seventh��
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��0��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
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