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survival of this inane custom。 

     The disappearance of the Ocean House ;hops; marked the last stage in 

hotel life。 Since then better´class watering places all over the country have 

slowly   but   surely   followed   Newport's   lead。   The   closed   caravansaries   of 

Bar   Harbor   and   elsewhere   bear   silent   testimony   to   the   fact   that   refined 

Americans are at last awakening to the charms of home life during their 

holidays�察�and are discarding�察�as fast as finances will permit�察�the pernicious 

herding     system。    In  consequence       the  hotel   has   ceased    to  be�察 �what    it 

undoubtedly was twenty years ago�察�the focus of our summer life。 

     Only a few charred rafters remain of the Ocean House。 A few talkative 

old duffers like myself alone survive the day it represents。 Changing social 

conditions     have    gradually    placed    both   on  the   retired  list。  A   new  and 

palatial Newport has replaced the simpler city。 Let us not waste too much 

time regretting the past�察�or be too sure that it was better than the present。 It 

is quite possible�察 �if the old   times we  are writing so   fondly about should 

return�察�we might discover that the same thing was true of them as a ragged 

urchin asserted the other afternoon of the burning building�此�

     ;Say�察�Tom�察�did ye know there was the biggest room in the world in that 

hotel�拭─�

     ;No�察�what room�拭─�

     ;Room for improvement�察�ya� ─�



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             CHAPTER 27 ´ SARDOU at 

                             Marly´le´Roy 



       NEAR   the   centre   of   that   verdant   triangle   formed   by   Saint   Cloud�察�

Versailles�察�and Saint Germain lies the village of Marly´le´Roy�察�high up on 

a   slope   above   the   lazy   Seine   ´   an   entrancing   corner   of   the   earth�察  �much 

affected   formerly   by   French   crowned   heads�察  �and   by   the   ;Sun   King;   in 

particular�察�who in his old age grew tired of Versailles and built here one of 

his   many   villas   ��the   rival   in   its   day   of   the   Trianons���察  �and   proceeded   to 

amuse himself therein with the same solemnity which had already  made 

vice at Versailles more boresome than virtue elsewhere。 

     Two centuries and four revolutions have swept away all trace of this 

kingly caprice and the art treasures it contained。 Alone�察�the marble horses 

of Coustou�察�transported later to the Champs Elysees�察�remain to attest the 

splendor of the past。 

     The    quaint   village   of   Marly�察  �clustered    around    its  church�察   �stands�察�

however   ´   with   the   faculty   that   insignificant   things   have   of   remaining 

unchanged ´ as it did when the most polished court of Europe rode through 

it to and from the hunt。 On the outskirts of this village are now two forged 

and gilded gateways through which the passer´by can catch a glimpse of 

trim avenues�察�fountains�察�and well´kept lawns。 

     There seems a certain poetical justice in the fact that Alexandre Dumas 

FILS and Victorien Sardou�察�the two giants of modern drama�察�should have 

divided   between   them  the   inheritance   of   Louis   XIV。�察  �its   greatest   patron。 

One   of   the   gates   is   closed   and   moss´grown。   Its   owner   lies   in   Pere´la´ 

Chaise。 At the other I ring�察�and   am soon walking up the famous   avenue 

bordered   by   colossal   sphinxes   presented   to   Sardou   by   the   late   Khedive。 

The big stone brutes�察�connected in one's mind with heat and sandy wastes�察�

look oddly out of place here in this green wilderness ´ a bite�察�as it were�察�

out of the forest which�察�under different names�察�lies like a mantle over the 

country´side。 

     Five minutes later I am being shown through a suite of antique salons�察�

in the last of which sits the great playwright。 How striking the likeness is 



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to   Voltaire�察   �   the   same   delicate   face�察  �lit   by   a   half   cordial�察  �half   mocking 

smile�察    �the  same     fragile   body    and   indomitable      spirit。  The    illusion   is 

enhanced by our surroundings�察�for the mellow splendor of the room where 

we stand might have served as a background for the Sage of Ferney。 

     Wherever one looks�察�works of eighteenth´century art meet the eye。 The 

walls are hung with Gobelin tapestries that fairly take one's breath away�察�

so exquisite is their design and their preservation。 They represent a marble 

colonnade�察�each column of which is wreathed with flowers and connected 

to its neighbor with garlands。 

     Between   them   are   bits   of   delicate   landscape�察  �with   here   and   there   a 

group of figures dancing or picnicking in the shadow of tall trees or under 

fantastical porticos。 The furniture of the room is no less marvellous than 

its hangings。 One turns from a harpsichord of vernis´martin to the clock�察�a 

relic from Louis XIV。's bedroom in Versailles�察�on to the bric´a´brac of old 

Saxe   or   Sevres   in   admiring   wonder。   My   host   drifts   into   his   showman 

manner�察�irresistibly comic in this writer。 

     The pleasures of the collector are apparently divided into three phases�察�

without counting the rapture of the hunt。 First�察�the delight a true amateur 

takes in living among rare and beautiful things。 Second�察�the satisfaction of 

showing   one's   treasures   to   less   fortunate   mortals�察  �and   last�察  �but   perhaps 

keenest   of   all�察  �the   pride   which   comes   from   the   fact   that   one   has   been 

clever enough to acquire objects which other people want�察�at prices below 

their market value。 Sardou evidently enjoys these three sensations vividly。 

That he lives with and loves his possessions is evident�察�and the smile with 

which he calls your attention to one piece after another�察�and mentions what 

they cost him�察�attests that the two other joys are not unknown to him。 He is 

old enough to remember the golden age when really good things were to 

be    picked    up   for   modest     sums�察   �before    every    parvenu     considered     it 

necessary to turn his   house into a museum�察 �and factories existed for the 

production of ;antiques; to be sold to innocent amateurs。 

     In calling attention to a set of carved and gilded furniture�察�covered in 

Beauvais   tapestry�察  �such   as   sold   recently   in   Paris   at   the   Valencay   sale   ´ 

Talleyrand collection ´ for sixty thousand dollars�察�Sardou mentions with a 

laugh   that   he   got   his   fifteen   pieces   for   fifteen   hundred   dollars�察  �the   year 



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after the war�察�from an old chateau back of Cannes� �One unique piece of 

tapestry had cost him less than one´tenth of th
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